{"id":10281,"date":"2025-07-24T15:47:32","date_gmt":"2025-07-24T13:47:32","guid":{"rendered":"https:\/\/wp-project-107.iustage.de\/cantate-dominocanticum-novum-en\/"},"modified":"2025-07-24T16:13:18","modified_gmt":"2025-07-24T14:13:18","slug":"cantate-dominocanticum-novum-en","status":"publish","type":"post","link":"https:\/\/www.rondeau.de\/en\/cantate-dominocanticum-novum-en\/","title":{"rendered":"Telemann at Home"},"content":{"rendered":"<p>In 1727, the clever Hamburg publisher Georg Philipp Telemann transferred a strategy that had been successful in the world of opera over to church music: the separate publication of select arias from a larger work for domestic use. The Telemann expert Thomas Fritzsch, who attracted worldwide attention in 2016 through the rediscovery of the long-forgotten 12 Fantaisies pour la Basse de Violle par Telemann, has conceived nine home devotions using this selection of arias. Taking Telemann&#8217;s model, the home devotions are instrumented clearly and diversely and are compiled for pleasurable listening under the title of Telemann at Home. He performs together the bass-baritone and Telemann Prize winner Klaus Mertens, the lutenist Stefan Maass and Gewandhaus organist Michael Sch\u00f6nheit on the Amalien-Orgel, which had been formerly played upon by Telemann&#8217;s godson Carl Philipp Emanuel Bach.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1727, the clever Hamburg publisher Georg Philipp Telemann transferred a strategy that had been successful in the world of opera over to church music: the separate publication of select arias from a larger work for domestic use. The Telemann expert Thomas Fritzsch, who attracted worldwide attention in 2016 through the rediscovery of the long-forgotten &hellip; <a href=\"https:\/\/www.rondeau.de\/en\/cantate-dominocanticum-novum-en\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Telemann at Home<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":4988,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1318,1315],"tags":[1071,923,922,921],"class_list":["post-10281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-choir","category-music","tag-anna-maria-hefele","tag-hans-joachim-lustig","tag-kammerchor-i-vocalisti","tag-ugis-praulins"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/comments?post=10281"}],"version-history":[{"count":1,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10281\/revisions"}],"predecessor-version":[{"id":10282,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10281\/revisions\/10282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/media\/4988"}],"wp:attachment":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/media?parent=10281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/categories?post=10281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/tags?post=10281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}