The Romantic period is not infrequently presented as an era of the beautiful. Songs about the yearning for nature, youth, and love, but also about a desire for death are a key concern in the music of the time. The M\u00e4dchenchor Hannover presents romances by Robert Schumann and Johannes Brahms\u2014two cornerstones in the nineteenth-century repertoire for women\u2019s choir. In addition, the new recording features duets for two female voices by Felix Mendelssohn Bartholdy. These pieces reveal the multifaceted nature of sentiments and their expression especially pertinently. The compositions on this CD tell of love, life, and death, of the first meeting (\u2018Erste Begegnung\u2019), as Schumann\u2019s eponymous song is titled, and of parting: in Mendelssohn\u2019s Wasserfahrt for example. Nicholas Rimmer accompanies the singers Ania Vegry (soprano) and Mareike Morr (mezzo soprano) on a historical Hammerklavier. The M\u00e4dchenchor itself sings a number of romances for female voices by Schumann, pieces which more than live up to their lyrical models in performance. The exceptional quality of the M\u00e4dchenchor comes to the fore in this recording. Their youthfulness and lively nature literally bursts forth from the pieces. Every emotion, be it happiness or sadness, pain or joy, comes to life in the girls\u2019 voices, and becomes a moving experience for the listener.<\/p>\n","protected":false},"excerpt":{"rendered":"
The Romantic period is not infrequently presented as an era of the beautiful. Songs about the yearning for nature, youth, and love, but also about a desire for death are a key concern in the music of the time. The M\u00e4dchenchor Hannover presents romances by Robert Schumann and Johannes Brahms\u2014two cornerstones in the nineteenth-century repertoire … Continue reading Beloved Soul: |M\u00e4dchenchor Hannover<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":5056,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[700,1315],"tags":[917,916],"class_list":["post-10125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ensemble","category-music","tag-daarler-vocal-consort","tag-will-todd"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/comments?post=10125"}],"version-history":[{"count":1,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10125\/revisions"}],"predecessor-version":[{"id":10126,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10125\/revisions\/10126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/media\/5056"}],"wp:attachment":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/media?parent=10125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/categories?post=10125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/tags?post=10125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}