On this disc, the Windsbacher Knabenchor (Windsbach Boys Choir) presents three of Johann Sebastian Bach\u2019s best-known choir cantatas: O ewiges Feuer, o Ursprung der Liebe (BWV 34) is an example of Bach\u2019s practice of parody. Having originally written the cantata for a wedding, he re-used the festive music for Whit Sunday during his time as cantor at St Thomas Leipzig. Wer nur den lieben Gott l\u00e4sst walten (BWV 93) received its first performance in 1724. Bach set this chorale cantata particularly expressively – already the opening chorus reflects profoundly on the text \u201cIn allem Kreuz und Traurigkeit\u201d. The disc\u2019s third cantata Was Gott tut, das ist wohlgetan (BWV 100) goes back to a 17th-century song by Samuel Rodegast. Johann Sebastian Bach composed this piece with much musical phantasy and variation: from festively jolly major to lamenting, questioning minor. The Windsbacher Knabenchor (Windsbach Boys Choir) is joined by an exceptional ensemble of soloists in this recording: Susanne Winter, Rebecca Martin, Markus Sch\u00e4fer, and Sebastian Bluth perform alongside the Deutsche Kammer-Virtuosen Berlin. This chamber ensemble was founded from the group of instrumental soloists of the renowned Deutsches Sinfonieorchester Berlin. Karl-Friedrich Beringer conducts this exhilarating recording.<\/p>\n","protected":false},"excerpt":{"rendered":"
On this disc, the Windsbacher Knabenchor (Windsbach Boys Choir) presents three of Johann Sebastian Bach\u2019s best-known choir cantatas: O ewiges Feuer, o Ursprung der Liebe (BWV 34) is an example of Bach\u2019s practice of parody. Having originally written the cantata for a wedding, he re-used the festive music for Whit Sunday during his time as … Continue reading Johann Sebastian Bach: |Cantatas BWV 34, 93, 100<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":4662,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1318,1315,1317],"tags":[835,834,733,836,817],"class_list":["post-10007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-choir","category-music","category-orchestra","tag-barbara-schlick","tag-collegium-musicum-des-wdr","tag-johann-sebastian-bach","tag-klaus-haffke","tag-windsbacher-knabenchor"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/comments?post=10007"}],"version-history":[{"count":1,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10007\/revisions"}],"predecessor-version":[{"id":10008,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/posts\/10007\/revisions\/10008"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/media\/4662"}],"wp:attachment":[{"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/media?parent=10007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/categories?post=10007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rondeau.de\/en\/wp-json\/wp\/v2\/tags?post=10007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}